Brooke
Adams and Tony Shalhoub have been involved from the project's
inception. Brooke directed the Los Angeles production of Two Faced
and Tony was one of its producers.
While in Los Angeles,
the play was developed as a screenplay. After three years of false
starts and frustration, Lynne Adams married and moved to Boston,
leaving Hollywood and her movie behind. Her husband, George Fifield,
is a curator of new media with a passion for video. When Lynne
suddenly saw the way to make Two Faced as a video
mockumentary, the script of Made-Up practically wrote itself. Lynne
sent the first draft to Brooke in Los Angeles who knew instantly
this was a movie she wanted to make. The two sisters committed
themselves to producing it and Sister Films was born.
In developing the
script, Lynne mentioned that she would like to add three characters
to be the mockumentary crew. Brooke couldn't believe the
coincidence. Three
young men - Lance Krall, Jim Issa and Kalen Conover - were staying
in Brooke and Tony's guest house and Brooke had been thinking about
bringing them into the process, but wasn't sure how. They were
members of a comedy improv group that Tony had seen in Atlanta.
Lynne began writing them into the script.
Jim brought the project
to their producer in Atlanta, Bob Weiner. When Bob signed on as an
investor, plans for shooting the movie became real. Tony Shalhoub
agreed to direct. Brooke and Lynne brought Mark Donadio in to
produce with them. Mark is a veteran of major productions mounted in
the Boston area including USA Films' Session 9 and the underground
hit Next Stop Wonderland. Mark was able to assemble a first-rate
crew including: Gary Henoch as Director of Photography, Juliet
Carter as Art Director, Karine Albano as Lighting Designer, Lisa
Lesniak as Costume Designer, Trish Seeney as Makeup Designer, and
Brian Robel as Line Producer.
Finding the person to
play Brooke's seventeen-year-old daughter, Sara, was proving to be
extremely difficult. Auditions were held in Boston and on the West
Coast. One week before shooting began the role was still not cast.
Tony liked one person, Brooke another, and Lynne a third. There was
no one they could agree on. Brooke
had bumped into Eva Amurri in NYC a few months before and remembered
thinking that she would be perfect for Sara. They sent her the
script, and Eva made a tape of herself in several scenes. The tape
arrived two days before shooting began. When they saw it Brooke,
Tony and Lynne were ecstatic. There was no doubt in any of their
minds they had found the perfect Sara. |